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The Arts | Summer 2014

Written by Bill Anderson on . Posted in The Arts

The Deadly Genetlemen.

The Deadly Gentlemen play in Huntington on Aug. 9, 2014.

May 30–June 8

Now in his late 70s, Ron Carter has appeared on more than 2,000 jazz recordings — a staggering figure if you pause to think about it — but his reputation is built on quality, not quantity. “Among the greatest accompanists of all time,” wrote music biographer Ron Wynn, “the epitome of class and elegance … close to being the bass equivalent of a Duke Ellington.” Carter appears on a double bill with venerable saxman Benny Golson, and the festival, as always, astutely covers the rest of the spectrum, from safe-and-sound to fearlessly progressive. Among many highlights, look for legendary singer Tony Bennett, violin star Regina Carter, soundscape trio Dawn of Midi, a Belizbeha reunion, and Linda Oh’s Sun Pictures Quartet. For total immersion, consider the festival’s many meet-the-artist sessions, art exhibits, street concerts and nightclub spinoffs.

Spring/Summer 2014

Impressionist works by Monet, Manet, Degas and other French masters will be on view June 14 through Sept. 1 in “In a New Light,” an exhibit drawn from the Shelburne Museum’s collection as well as loans from private sources and the National Gallery of Art in Washington, D.C. In other new exhibits, both showing May 11 to Oct. 31, “Nancy Crow, Seeking Beauty: Riffs on Repetition” presents works by the renowned contemporary quilter; and “Trailblazers: Horse-Powered Vehicles” looks at parallels between 19th-century transportation and modern automotive culture.

Vermont Center for Photography
June 6–29

Born in Detroit in 1947, Roger Katz moved in the ’60s to Brattleboro to attend Marlboro College, and he never left, making the town his home, owning various photography shops or studios, and becoming an unassuming patron of the photographic arts in the community. Katz died of cancer in 2013, and though he never had an exhibit of his work during his lifetime, the Vermont Center for Photography is honoring their friend with a display of more than 100 vintage gelatin silver prints, which cover a span of time from the 1970s through 2012. The Center says Katz “had a distinct ability to capture portraits on the street. His humble and quiet approach to his surroundings lent itself perfectly
to acting as a ‘fly on the wall’ as life played out in front of him.”

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“Green Mountain State” Up For Award

Written by Sky Barsch on . Posted in The Arts

Singer-songwriter Corinna Rose of Montreal penned the song “Green Mountain State” about Vermont and the feeling of being home. Her song, which was featured in the film “Take This Waltz,” is up for a John Lennon Songwriting Contest award (it has already been selected as one of the top two prizewinners in the Folk category), and voting is open through April 29, 2014. Have a listen below, and trust us, you won’t be able to get this song out of your head.
We caught up with Corinna recently about this song and her love of Vermont.

VL: You’re a Montreal resident, how did you develop an affinity for Vermont?
CR: Vermont is amazingly close to the Quebec border — my grandfather rents a cottage near Magog in Quebec (about an hour outside of Montreal), and so we ended up visiting Vermont now and again during the summers when I was a kid. I’ve been to Jay Peak

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The Arts | Spring 2014

Written by Bill Anderson on . Posted in The Arts

Screen Shot 2014-02-25 at 3.41.05 PMBRIAN McCARTHY QUINTET
Town Hall Theater
Feb. 22
Vermont saxman Brian McCarthy is the consummate working musician, and we do mean working. McCarthy’s 
resume reads like a no-job-too-small general contractor of jazz: studio sideman, Burlington nightclub regular, educator at Vermont colleges and high schools, sheet music archivist and a bandleader in his own right, having recently released his second CD, “This Just In.” Recorded at Lane Gibson studios in Charlotte, the album is a tasty, classic Blue Note–style jazz record that includes fellow Vermonter Ray Vega on trumpet, Justin Kauflin on piano, Evan Gregor on bass 
and Quinn Blandford on drums.
8 p.m., $20,

“The Spring Quartet”
Flynn MainStage
March 3
The name says it all for this jazz supergroup, composed of stars from three generations. Drummer Jack DeJohnette is a National Endowment for the Arts jazz master; Joe Lovano is a Grammy-winning sax giant; and the next wave is represented by much-buzzed-about bassist Esperanza Spalding (pictured) and her longtime collaborator, pianist Leo Genovese.
7:30 p.m., $55,

UVM Recital Hall
March 21
Drew Gonsalves, the driving force behind Kobo Town, was born in Trinidad, the son of a native Trinidadian and an expatriate Canadian. Though the marriage later dissolved and Gonsalves spent most of his teenage years living in Ottawa, he returned to Trinidad when he was 18 to visit his father. “He took me to Lord Kitchener’s Calypso Revue tent, held in the Oil Workers Trade Union Hall in Port of Spain,” Gonsalves says. “I was blown away by the cleverness, and the wit of these calypsonians, and also their engaging interplay with the audience. I had never experienced anything like it, and from that point on, calypso was always on my mind.” Gonsalves eventually joined with some fellow Trinidadians living in Toronto to form Kobo Town (named after the historic neighborhood in Port of Spain where calypso originated), and as their career developed, they eventually crossed paths with Jacob Edgar (Vermont Life, Autumn 2013), the Charlotte-based world-music producer, who signed them to his artists’ stable at Cumbancha. Mixing social commentary, rapid-fire poetry and street-performer brio, the band is not so much trying 
to revive calypso as reinvent 
it, particularly for ears that 
take hip-hop for granted.
Pre-performance talk 6:30 p.m., showtime 7:30 p.m., $22,

“Cinderbox 2.0”
Flynn MainStage
March 22
Lucky Plush Productions has a long list of “best of Chicago” awards to its credit, and now the dance theater company is touring with “Cinderbox 2.0,” a wry look 
at modern media, particularly its assembly-line processing and “the ways that audiences invest in personal stories that are served up like manufactured anecdotes.” The Chicago Tribune called the show “a shrewd and witty commentary” on hypernetworked America.
8 p.m., $3,

Town Hall Theater
April 6
Sophisticated and charming, Hot Club of Cowtown unites Paris-in-the-’30s joie de vivre with the sunny delight of Texas swing. Elana James leads the way on violin and vocal, with Whit Smith on guitar and Jake Erwin on upright bass. As Jon Caramanica wrote in the New York Times, the group performs with “an arsenal of technique and joy.”
7 p.m., $30,

Chandler Center for 
the Arts, Randolph
April 12
Described by the AllMusic guide as “one of the few successful multi-guitar ensembles regularly performing today,” the Los Angeles Guitar Quartet offers a wide-ranging repertoire that is based in classical but extends in all directions. The Grammy-winning record “Guitar Heroes,” for instance, included compositions from Pat Metheny, Chet Atkins, Sergio Assad and Steve Howe, and the quartet’s albums appear frequently in the Billboard Top 20 on the Classical Crossover charts. Middlebury College music professor Eric Despard will give a pre-performance talk at 6:45 p.m., and there will be a complimentary reception for the musicians and audience members after the concert.
7:30 p.m., $35,

Paramount Theatre
April 12
The Miles Davis boot camps of the late ’60s produced many a star, among them Chick Corea, who came to light in the fusion era and never stopped pursuing its ideals. “Over the years,” 
says The Penguin Guide to Jazz , “Chick Corea has created a body of music that has embraced Latin funk, a strong Bartok influence, free jazz, extended rock and classical forms as well.” Most observers consider Corea along with Keith Jarrett and Herbie Hancock to be the finest 
jazz pianists of the last 50 years.
8 p.m., $49.75,

Flynn MainStage
Burlington April 24
Though she was born in Missouri in 1962, Rhonda Vincent’s musical story recalls a much more distant, front-porch time in America. Her family had a traveling band, The Sally Mountain Show, and at age 5, she joined it as the drummer. At age 8, she picked up the mandolin; at age 10, the fiddle. Busing around on weekends through the heartland circuit of bluegrass festivals, she honed her craft and eventually branched out on her own. “It’s not a job I chose,” she told the San Francisco Chronicle, 
“it’s a way of life that evolved into a career, which is probably why it feels more homespun.” Named seven times 
as the female vocalist of the year by 
the International Bluegrass Music 
Association, Vincent today is known 
for both impeccable musicianship and 
a refreshing, unpackaged quality.
7:30 p.m., $42,

Shelburne Museum
Through May 26
The $14-million Pizzagalli Center, which has allowed the Shelburne Museum to remain open year-round for the first time in its history, showcases the work of artist John Bisbee. A welder and sculptor-in-residence at Bowdoin College in Brunswick, Maine, Bisbee utilizes steel and nails to create the most unlikely results, in this case, a series of floral-inspired pieces. “Bisbee’s ability to make something new and beautiful out of material as overlooked and seemingly inflexible as the common nail is awe-inspiring,” museum director Thomas Denenberg said in a release. “This work is a fascinating present-day artistic interpretation of collections and materials that are abundant at Shelburne Museum.”
Hours and prices vary, discounts for Vermonters,

Quick Takes
• English classical pianist Paul Lewis returns to the Mahaney Center for the Arts in Middlebury with a fresh program of works. April 4.
• The Saturday Masterworks Series of the Vermont Symphony Orchestra continues with performances March 8 and May 3 at the Flynn Center in Burlington. The final Sunday matinee concert in the series is March 9 at the Paramount Theatre in Rutland.
• The Valley Stage Music Festival, an annual summer event held outdoors in Huntington, has launched a season of indoor folk-roots concerts at the Richmond Free Library. Called “P.M. Sundays: Poets and Players,” the series winds up its first season with Rani Arbo and daisy mayhem on March 16, and Red Tail Ring on April 6.
• Carolina Chocolate Drops, young lions of antique roots music, appear March 28 at Higher Ground in South Burlington ( and March 30 
at the Woodstock Town Hall 
Theatre (
• Phish bassist Mike Gordon performs in support of his fourth solo studio album, “Overstep,” April 6 
at the Higher Ground Ballroom 
in South Burlington.
• Forgotten snapshots, collected and culled by Margaret Kristensen, form a sometimes eerie window on the past in “Uncovered,” an exhibit at the Vermont Center for Photography in Brattleboro. March 7–30.
• A new Friday night jazz series takes place in April at the 
Shelburne Museum’s Pizzagalli 
Center. Swing Noire starts 
things off April 4.
• The Vermont Stage Company presents the premiere of “The Quarry.” Created by brothers Greg and Randal Pierce and inspired by their experiences growing up in Shelburne, the work “combines original live music with an array of characters to create a world that explores the mystifying depths of the unknown.” April 23–May 11, FlynnSpace, 
• Vocal harmonies mark the music of The Wailin’ Jennys, an all-female trio that mixes traditional folk with Americana and pop. May 11. Chandler Center for 
the Arts, Randolph.
• “An Evening With Ira Glass” is a stage show about a radio show, with the NPR personality discussing, dissecting and otherwise delving into “This American Life.” May 17, Paramount Theatre, Rutland.

Schedules subject to change.
Prices listed are premium seats for adults; fees and taxes may also apply.
Other events available at
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